Merrick Hanna is an 11-year-old who has perfected the art of expressing himself through dance. His is not a show of body-beauty or muscle-strength, and it’s certainly not a feat of repeated and perfected vigour and force. Rather it is a play of nuance, a subtle progression of movement that catches emotion and wraps it in a net.

The story of Lost Boy is simplistic. And the music is necessary for the experience to resonate. But the seamless ability of Hanna to pivot and pull, to hinge and swivel, to be sharp and fluid, is a portal into meaning. It feels precious and poignant. It feels rare and affectionate. It is defined by its residual buoyancy.


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